At its most fundamental level, photography is light:
the capturing of light, either ambient or reflected off a subject,
object or scene. Too many beginner (and even experienced) photographers
conclude, therefore, that bright light is a photographer’s friend. That
would be wrong, however. The brightest light creates the deepest
shadows, which is why those vacation photos on the beach or the ski
slopes don’t show people’s eyes or create dark shadows on the background that are distractions.
Bright
light is neither your camera’s friend, especially when you rely on its
automatic exposure capability. In fact, as wondrous as digital
photography technology is, it is usually confused when confronted with a
scene or subject bathed in bright light.
A little technical background
is required here. The manufacturer of your camera had to chose average
settings for the auto exposure mode in your camera. That average is
known as 18% gray, or a reading by a light meter that the scene or
subject is reflecting 18% of the light. The problem is that the actual
image you are shooting may not have average brightness; it may have a
reading more than 18% (or less): a beach with strong light reflecting
off the sand or a bright, snowy day during winter when the light is
reflecting off the snow or ice. What generally happens is that your
camera applies the average setting and your image is underexposed, or
looks too dark.
The limitation of your camera’s
auto mode is a great opportunity to learn about a control on your
camera you may not know is there, or you may have seen it, but simply
disregarded it. It’s called exposure value (EV) compensation; and as the
name suggests, it allows you to compensate for the auto mode’s
confusion when shooting images in bright light (or low light). Since
it’s unlikely you’ve ever read your camera’s manual thoroughly, you may
be surprised to learn that it will show you where the EV control is on
your camera and how to use it. What a concept!
Once
you do find it, you’ll notice that it provides you with a number of
choices that are designated as +1, +2, -1 and -2. Many cameras will
allow you to select these values in 1/3-increments. DSLR cameras
tend to have a wider range of EV settings. As part of learning how to
use EV compensation, you’ll want to do some experimentation. A bright
morning on the beach may require only a +1 compensation to provide the
correct amount of light for a balanced photo.
High noon at the beach with highly reflective sand may require +2. You
may even want to find a very bright scene and shoot a series of images
at each of the EV settings, so you can compare them side-by-side on your
computer. It’s a great learning tool. As you understand what lighting conditions require the right amount of EV compensation, it will become second nature to use it to your benefit.
Another
learning opportunity that will help you with brightness control is
reading your camera’s histogram. Again, start with your camera manual,
which will teach you most of what you need to know. A histogram is
simply a graphical representation of how your camera is reading the
light. The preset, average exposure setting mentioned above, or gray, is
in the center of the graph, with darker to the left and lighter to the
right. When your camera’s auto mode reads the bright light on a beach
and produces an underexposed photo, most of the histogram data will be
in the center of the scale. When you increase the EV compensation to +1
or +2, the histogram’s data spike
will now be to the right, or in the lighter area. Taking some control
of the exposure with EV compensation has allowed you to override the
camera’s automatic reading and provide the right amount of light for the
photo.
Photography is a learning experience
that even the greatest photographers in the world are doing everyday.
Neither they nor you can understand everything about your camera during a
short period of time, so learn one new feature or function per week.
Make exposure value compensation this week’s self-taught tutorial and
you’re sure to bring home much better vacation pictures from those
bright beach, ski slope, watersports or amusement park environments.
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